PEDAGOGY OF BROADCAST OF WOMEN'S SOCCER

ALINI SILVA PEIXOTO, MARCELO VICTOR DA ROSA, LEONARDO SILVA RIBEIRO, GIOVANA MESTRINER DE SOUZA
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Abstract

ABSTRACT Starting from the Cultural Studies perspective and having as axes the analyzes of power and gender that exist in the context of Women's Soccer, this article aimed to analyze the curriculum operating in exhibitions of professional soccer games played by women. Exhibition soccer matches from the first phase of the Brazilian women's soccer championship A1 were observed, in a cut of the cultural artifact comprised by a YouTube channel, created in 2013, with soccer as the central subject of its content. Characterized as exploratory field research with a qualitative approach, analyses of the artifact's cut were carried out, in which three aspects of the curriculum present were more prominently observed: a parallel between women’s and men's soccer, the appreciation of women’s soccer and a discrediting of this practice and the women present there. These aspects are part of the Pedagogy of Transmission of Women's Soccer, in the way it is presented in the teaching-learning context that composed the cut of the artifact in this study2.
女子足球转播教育学
本文从文化研究的视角出发,以女足语境中存在的权力与性别分析为轴心,对女足职业比赛展览中的课程运作进行分析。在2013年创建的YouTube频道的文化作品剪辑中,观看了巴西女子足球锦标赛A1第一阶段的足球比赛,足球是其内容的中心主题。以定性方法的探索性实地研究为特征,对人工制品的切割进行了分析,其中更突出地观察了课程的三个方面:女足和男足之间的平行关系,对女足的欣赏以及对这种做法和在场的女性的诋毁。这些方面是女足传播教学法的一部分,在教学背景下呈现的方式构成了本研究中人工制品的切割2。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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