A Microhistory of Heritage Creation Processes: The Impressionists Exhibited at the Orangerie (1930–1937)

IF 0.1 3区艺术学 0 ART

OXFORD ART JOURNAL Pub Date : 2023-08-01 DOI:10.1093/oxartj/kcad023

Michela Passini

引用次数: 0

Abstract

Journal Article A Microhistory of Heritage Creation Processes: The Impressionists Exhibited at the Orangerie (1930–1937) Get access Michela Passini Michela Passini Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 46, Issue 2, August 2023, Pages 241–259, https://doi.org/10.1093/oxartj/kcad023 Published: 27 September 2023 Article history Received: 06 October 2022 Editorial decision: 12 July 2023 Accepted: 13 July 2023 Corrected and typeset: 27 September 2023 Published: 27 September 2023

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遗产创作过程的微观历史:在橘园展出的印象派作品(1930-1937)

期刊文章遗产创作过程的微观历史:印象派在橙园展出(1930-1937)获取Michela Passini Michela Passini搜索作者的其他作品:牛津学术谷歌学者牛津艺术杂志，第46卷，第2期，2023年8月，241-259页，https://doi.org/10.1093/oxartj/kcad023出版:2023年9月27日文章历史接收:2022年10月6日编辑决定:2023年7月12日接受:2023年7月13日更正和排版:2023年9月27日发布

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

OXFORD ART JOURNAL ART-

CiteScore

0.20

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0.00%

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期刊介绍： The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.