Dutch architectural learning process of the Dutch East Indies

Johannes Adiyanto
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Abstract

This research concentrates on the architectural process of Dutch architects in the Dutch East Indies, specifically Maclaine Pont, Thomas Karsten, and Wolff Schoemaker. The issue addressed by these three people is how they learned, particularly their reaction to the conditions and wealth of buildings in the Dutch East Indies, and what drove each of their architectures. This study employs a synchronic-diachronic analytic strategy as well as a historical interpretation strategy based on contextual evidence categories. It runs from 1900 to 1940. According to the study's findings, all three encounters through the same learning process, which includes the introduction phase, the exploration phase, and the architectural attitude phase. The architectural perspective was expressed at Maclaine Pont through the design of a tent structure system based on studies of Javanese pavilion roofs, whereas Karsten and Schoemaker referenced modern architecture. Karsten was fascinated by people's daily lives, whereas Schoemaker thought Frank Lloyd Wright's style was the most recent at the time.
荷属东印度群岛的荷兰建筑学习过程
本研究集中于荷兰建筑师在荷属东印度群岛的建筑过程,特别是Maclaine Pont、Thomas Karsten和Wolff Schoemaker。这三个人提出的问题是他们是如何学习的,特别是他们对荷属东印度群岛建筑的条件和财富的反应,以及是什么推动了他们的每一个建筑。本研究采用共时-历时分析策略和基于语境证据范畴的历史解释策略。从1900年到1940年。根据这项研究的发现,这三种相遇经历了相同的学习过程,包括介绍阶段、探索阶段和建筑态度阶段。建筑视角在Maclaine Pont通过帐篷结构系统的设计来表达,这是基于对爪哇凉亭屋顶的研究,而Karsten和Schoemaker则参考了现代建筑。卡斯滕着迷于人们的日常生活,而舍梅克认为弗兰克·劳埃德·赖特的风格是当时最新潮的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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