Negotiating patriarchal hegemony: Female agency in Christina Dalcher’s Vox

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Sana Altaf
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引用次数: 2

Abstract

Contemporary critics have opined that the vision of dystopian texts has come true about the present situation rather than about the future. In today’s technologically driven world, where the gulf between speculative fiction and political reality seems to have narrowed, feminist dystopian fiction has gained immense popularity. These texts address gender ideologies and issues and often use current social conditions to demonstrate the sexism inherent in patriarchal societies. This article aims to analyse the novel Vox (2018) by American writer Christina Dalcher within the framework of feminist dystopia to highlight the unbridled nature of violence used against women and the eventual emergence of the female body as the locus of self-articulation and resistance against the dystopian authority. It also demonstrates how the novel creates a narrative space within which the feminine body is transformed from a static object of representation to a potent subject of the text.
谈判父权霸权:克里斯蒂娜·达尔彻《Vox》中的女性能动性
当代评论家认为,反乌托邦文本的愿景是对现状而不是对未来的现实。在今天这个技术驱动的世界里,投机小说和政治现实之间的鸿沟似乎已经缩小,女权主义反乌托邦小说获得了极大的欢迎。这些文本涉及性别意识形态和问题,并经常利用当前的社会状况来展示男权社会固有的性别歧视。本文旨在分析美国作家克里斯蒂娜·达尔彻(Christina Dalcher)在女权主义反乌托邦框架下的小说《Vox》(2018),以突出针对女性的暴力行为的肆无忌惮,以及女性身体作为自我表达和反抗反乌托邦权威的场所的最终出现。它还展示了小说如何创造一个叙事空间,在这个空间中,女性的身体从一个静态的表现对象转变为文本的一个强有力的主体。
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来源期刊
Technoetic Arts
Technoetic Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
11
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