APPRECIATION OF WORKS OF ART: AN INTERVIEW WITH GIOSUÈ J. PREZIOSO, AN INTERNATIONAL CONSULTANT, MASTER IN ART, LAW AND BUSINESS, (CHRISTIE'S LONDON/UNIVERSITY OF GLASGOW), PHD CANDIDATE (UNIVERSITY OF READING), LECTURER IN ADVANCED EDUCATIONAL LEADERSHI
{"title":"APPRECIATION OF WORKS OF ART: AN INTERVIEW WITH GIOSUÈ J. PREZIOSO, AN INTERNATIONAL CONSULTANT, MASTER IN ART, LAW AND BUSINESS, (CHRISTIE'S LONDON/UNIVERSITY OF GLASGOW), PHD CANDIDATE (UNIVERSITY OF READING), LECTURER IN ADVANCED EDUCATIONAL LEADERSHI","authors":"Alessya Jurt","doi":"10.47940/cajas.v10i3.756","DOIUrl":null,"url":null,"abstract":"Abstract. Over the last decade, the art world has been experiencing deep transformations and modifications. Indeed, new media, technologies, and even currencies (i.e. NFT, blockchain, metaverse, robotics, cryptocurrencies etc.) have been revolutionizing the approach, reception, and making of art as conventionally intended. Artists, collectors, scholars, and art aficionados alike may indeed need guidance in this always-changing world and its challenging functioning, transactions, and reception. Questions concerning art assessment, pricing, deontology, sustainability, and \"fairness\" are indeed gradually more frequent in journals, research, surveys, and they are often left fully answered.
 This work - designed in the form of an interview - features the participation of an international art expert and scholar (Giosuè Prezioso), who explains, through his experience, how to better understand, interact, and operate with/in the art world. His multidisciplinary experience and approach will touch upon the visuals, law, and business of this market, exacerbating suggestions, tips, and recommendations to artists, collectors, and art people alike.","PeriodicalId":474259,"journal":{"name":"Centralʹno-Aziatskij iskusstvovedčeskij žurnal","volume":"2011 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Centralʹno-Aziatskij iskusstvovedčeskij žurnal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47940/cajas.v10i3.756","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract. Over the last decade, the art world has been experiencing deep transformations and modifications. Indeed, new media, technologies, and even currencies (i.e. NFT, blockchain, metaverse, robotics, cryptocurrencies etc.) have been revolutionizing the approach, reception, and making of art as conventionally intended. Artists, collectors, scholars, and art aficionados alike may indeed need guidance in this always-changing world and its challenging functioning, transactions, and reception. Questions concerning art assessment, pricing, deontology, sustainability, and "fairness" are indeed gradually more frequent in journals, research, surveys, and they are often left fully answered.
This work - designed in the form of an interview - features the participation of an international art expert and scholar (Giosuè Prezioso), who explains, through his experience, how to better understand, interact, and operate with/in the art world. His multidisciplinary experience and approach will touch upon the visuals, law, and business of this market, exacerbating suggestions, tips, and recommendations to artists, collectors, and art people alike.