The Return of Nature: Decolonial Reinhabitation and Self-Indigenisation in Kodagu, India

Q1 Arts and Humanities
Subarna De
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引用次数: 0

Abstract

This essay contextualises the ecological and cultural practices of the Kodagu coffee plantations of Southern India within the post-/decolonial framework of bioregional reinhabitation. Given that reinhabitation is an essential domain in bioregional thought and practice that aims to restore and maintain the natural systems of an injured land, this essay explores the depiction of indigenous practices on Kodagu’s plantations in Kavery Nambisan’s The Scent of Pepper (2010). Analysing the complex interrelationships between the reinhabitory practices on the plantations and Kodagu’s environment, this essay argues that bioregional reinhabitation in Kodagu takes a decolonial approach to transform the non-native coffee into a bioregional crop in Kodagu and, in the process, foregrounds self-indigenisation as a prominent decolonial reinhabitory strategy in indigenous environments of crises.
回归自然:印度柯达古的非殖民化再居住和自我本土化
这篇文章将印度南部柯达古咖啡种植园的生态和文化实践置于后/非殖民化的生物区域再居住框架内。鉴于重新居住是生物区域思想和实践的重要领域,旨在恢复和维护受损土地的自然系统,本文探讨了Kavery Nambisan的《胡椒的气味》(2010)中对Kodagu种植园土著实践的描述。本文分析了种植园居民实践与Kodagu环境之间复杂的相互关系,认为Kodagu的生物区域再居住采取了一种非殖民化的方法,将非本地咖啡转化为Kodagu的生物区域作物,并在此过程中,将自我本土化作为危机土著环境中突出的非殖民化居住策略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Green Letters
Green Letters Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
38
期刊介绍: Green Letters: Studies in Ecocriticism explores the relationship between literary, artistic and popular culture and the various conceptions of the environment articulated by scientific ecology, philosophy, sociology and literary and cultural theory. We publish academic articles that seek to illuminate divergences and convergences among representations and rhetorics of nature – understood as potentially including wild, rural, urban and virtual spaces – within the context of global environmental crisis.
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