Engaged pedagogy in teacher education: A literature review

IF 1.3 3区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH
Andrew Goodrich, Kính Tiến Vũ
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引用次数: 1

Abstract

The structures of North American school systems are often based in what bell hooks called rote, assembly-line teaching that includes top-down instructional practices. As a result, teacher educators often serve in an authoritarian role, making the decisions about what knowledge is important and how it should be learned. By comparison, engaged pedagogy promotes collaboration, whereby teachers and students transgress educational norms and become active participants in learning. The purpose of this review of literature is to understand how researchers in the field of education use engaged pedagogy in their teaching practice. It highlights three themes found throughout the literature: (re)designing courses, critical reflection, and sharing stories. Following each theme, a critical discussion contextualized within related research in music education provides practical implications for how music teacher educators can use engaged pedagogy in the classroom. Finally, the potential for issues of using engaged pedagogy in preservice music teacher education are illuminated for the reader, along with recommendations for future research in music education.
教师教育中的参与式教学法:文献综述
北美学校体系的结构通常基于贝尔·胡克斯所谓的死记硬背、流水线式教学,包括自上而下的教学实践。因此,教师教育工作者往往扮演着专制的角色,决定哪些知识是重要的,以及应该如何学习。相比之下,参与式教学法促进合作,教师和学生违反教育规范,成为学习的积极参与者。这篇文献综述的目的是了解教育领域的研究者如何在他们的教学实践中使用参与式教学法。它强调了贯穿文献的三个主题:(重新)设计课程、批判性反思和分享故事。在每个主题之后,在音乐教育相关研究背景下进行的批判性讨论为音乐教师教育者如何在课堂上使用参与式教学法提供了实际意义。最后,为读者阐明了在职前音乐教师教育中使用参与式教学法的潜在问题,以及对未来音乐教育研究的建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
3.20
自引率
11.10%
发文量
58
期刊介绍: The International Journal of Music Education (IJME) is a peer-reviewed journal published by the International Society for Music Education (ISME) four times a year. Manuscripts published are scholarly works, representing empirical research in a variety of modalities. They enhance knowledge regarding the teaching and learning of music with a special interest toward an international constituency. Manuscripts report results of quantitative or qualitative research studies, summarize bodies or research, present theories, models, or philosophical positions, etc. Papers show relevance to advancing the practice of music teaching and learning at all age levels with issues of direct concern to the classroom or studio, in school and out, private and group instruction. All manuscripts should contain evidence of a scholarly approach and be situated within the current literature. Implications for learning and teaching of music should be clearly stated, relevant, contemporary, and of interest to an international readership.
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