A Postcolonial Reading of Novuya Tshuma's House of Stone

Muhammad Hassan Shaikh, A. Lashari, Shah Muhammad Farooq Rashdi
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Abstract

The current paper attempts to investigate postcolonial concepts in Zimbabwean writer, Novuya Tshuma’s debut novel, House of Stone (2018). The present study is built on the theoretical framework of Homi K. Bhabha who, in his, collected writings titled The Location of Culture (1994) mentioned key elements of postcolonial criticism like an identity crisis, othering, mimicry and hybridity. The textual analysis method has been applied to analyse the relevant text objectively. Findings suggest that the above postcolonial concepts like an identity crisis, othering/otherness, mimicry and hybridity are vividly available and have been objectively analyzed. Moreover, the novelist uses an ample amount of figure of speech (simile, metaphor, personification and oxymoron) to carry forward the story in a literary manner. In addition to the above aspects, the concept of feminism is found in an African setting, the character of Thandi promotes feminism through her words and action.
竹间新也《石屋》的后殖民解读
本论文试图研究津巴布韦作家Novuya Tshuma的处女作《石头屋》(2018)中的后殖民概念。本研究建立在Homi K. Bhabha的理论框架之上,他在1994年出版的《文化的定位》(The Location of Culture)一书中提到了后殖民批评的关键要素,如身份危机、他者、模仿和混杂。本文运用文本分析法对相关文本进行了客观分析。研究结果表明,上述后殖民概念如身份危机、他者/他者性、模仿和杂糅是生动的,并得到了客观的分析。此外,小说家使用了大量的修辞手法(明喻、隐喻、拟人、矛盾修饰法),以文学的方式将故事发扬。除了以上几个方面,女性主义的概念是在非洲的背景下发现的,Thandi这个角色通过她的言行促进了女性主义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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