Mourning, Melancholia, and the Loss of Youth

Melanie V. Dawson
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Abstract

Interrogating youth’s cultural and symbolic meanings in the wake of the Great War, this chapter explores fictions of loss by Wharton and Cather rooted in depictions of mourning and melancholia, Freud’s constructs of grief. The loss of young soldiers encompassed not only the losses of particular young men, but also implicated the larger, cultural losses of youthful qualities at large, across a generation. In tales that focus on the older men, the losses of the young threaten to become overwhelming, so fully do the aging depend upon the idea of energized young men, who embody the ideals associated with youth. Articulating fears that the social fabric is forever rent by the loss of positive intergenerational bonds, these texts suggest that a healthy, coherent society depends upon cross-generational bonds of the sort severed by the war-time losses of young men, resulting in a society left to bereaved old men.
哀悼、忧郁和青春的逝去
在第一次世界大战之后,这一章探究了青年的文化和象征意义,沃顿和凯瑟的小说基于对哀悼和忧郁的描述,弗洛伊德的悲伤结构。年轻士兵的损失不仅包括特定年轻人的损失,而且还涉及整个一代人的年轻品质的更大的文化损失。在以老年人为主题的故事中,失去年轻人可能会变得势不可挡,因此,衰老完全依赖于充满活力的年轻人的想法,他们体现了与青春有关的理想。这些文本表达了对社会结构因积极的代际联系的丧失而永远被撕裂的恐惧,表明一个健康、连贯的社会依赖于那种因战争期间失去年轻人而被切断的代际联系,导致一个社会留给失去亲人的老年人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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