Miniaturowe romantyczne bestiarium. Robactwo i owady w twórczości Romana Zmorskiego

Grzegorz Igliński
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Abstract

The article presents a review of Roman Zmorski’s works, focusing on the author’s use of expressions related to insects and vermin. The goal is to determine the intensity of occurrence of such names (the scale of this phenomenon) as well as their functions and meanings. Consequently, the paper adopts the style of a documentation catalogue. It employs thematic criticism and takes a micrological approach. Zoomorphic connotations, images, metaphors and comparisons are considered in the context of the cultural tradition and the resulting symbolism. The conducted analysis indicates that the name “worm” is almost absent. Instead, the following terms are used: “vermin”, “vermin desires”, “little vermin”, “larva”, “caterpillar” and “leech”. The most frequent terms are “butterflies” and “ants” (“chills”, “tingles”, “swarm”). Among the infrequently used names there are “flies” (“little flies”), “bees”, “grasshoppers” and “locust”. Also “insect” is a rare term, yet it is used in a specific way: to describe a man dreaming of a great thought and suffering because of discovering it. While these names sometimes update the traditional meanings connected with vermin and insects, they occasionally convey such an unusual sense.
微型浪漫兽类图鉴。罗曼-兹莫尔斯基作品中的害虫和昆虫
本文回顾了罗曼·兹莫斯基的作品,重点介绍了作者对昆虫和害虫相关表达的使用。目标是确定这些名称出现的强度(这种现象的规模)以及它们的功能和含义。因此,本文采用文献目录的形式。它采用主题批评和微观方法。动物形象的内涵、形象、隐喻和比较是在文化传统和由此产生的象征主义的背景下考虑的。所进行的分析表明,“蠕虫”这个名称几乎不存在。取而代之的是使用以下术语:“害虫”,“害虫欲望”,“小害虫”,“幼虫”,“毛虫”和“水蛭”。最常见的术语是“蝴蝶”和“蚂蚁”(“寒颤”、“刺痛”、“蜂群”)。在不常用的名字中,有“苍蝇”(“小苍蝇”)、“蜜蜂”、“蚱蜢”和“蝗虫”。此外,“昆虫”是一个罕见的术语,但它有一个特定的用法:描述一个人梦想着一个伟大的思想,并因为发现它而受苦。虽然这些名字有时更新了与害虫和昆虫有关的传统含义,但它们偶尔也会传达出这样一种不寻常的含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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