A History of Violence

K. Ziegner
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引用次数: 1

Abstract

The focus of this narrative-analytical text-photo-montage is the so-called Wendezeit in East Germany, the years after the reunification and the individual and collective outbreaks of violence that accompanied thisradical change. Based on personal experiences and trained on literary and theoretical works such as Alexander Kluge’s "Lebensläufe", Klaus Theweleit’s "Männerphantasien" or W.G. Sebald’s novel "Austerlitz", Kai Ziegner reflects on remembrance and testimony in a way that is as critical as it is experimental. Where and how do authoritarian regimes and structures persist across generations? What scars can be read on the fault lines of disruptive processes and how to deal with—not only historical—situations in which the protagonists are victims and perpetrators at the same time? Ziegner’s artistic research shows how the unpresentable can become visible, how the ambiguous can be told and how a differentiated processing can be made possible.
暴力的历史
这部叙事分析的照片蒙太奇的焦点是所谓的东德文德zeit,即统一后的几年,以及伴随着这种激进变化的个人和集体暴力的爆发。凯·齐格纳以个人经历为基础,学习了亚历山大·克鲁格(Alexander Kluge)的《Lebensläufe》、克劳斯·特威利特(Klaus thewelit)的《Männerphantasien》或W.G.西博尔德(W.G. Sebald)的小说《奥斯特里茨》(Austerlitz)等文学和理论著作,以一种既批判性又实验性的方式反思记忆和证词。专制政权和结构在哪里以及如何代代相传?在破坏性进程的断层线上可以看到什么样的伤痕,以及如何处理——不仅仅是历史上的——主角同时是受害者和肇事者的情况?齐格纳的艺术研究表明,无法呈现的东西是如何变得可见的,模糊的东西是如何被告知的,以及差异化的处理是如何成为可能的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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