The Microtonal Guitars of Harry Partch

John Schneider
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Abstract

Schneider features Harry Partch, one of America's most colorful and original composers. Though trained as a concert pianist, Partch's dissatisfaction with the scales and instruments of Western music inspired him to design and build an orchestra of over two dozen hand-crafted microtonal instruments that were tuned to what he called his monophonic scale of 43 tones per octave. He also composed dozens of vibrantly singular musical works of all sizes, and authored theoretical statements of lasting significance in his book Genesis of a Music.
Harry Partch的微调性吉他
施耐德的特色是哈里·帕特奇,美国最丰富多彩的原创作曲家之一。尽管帕特奇是一名钢琴演奏家,但他对西方音乐的音阶和乐器的不满激发了他的灵感,他设计并组建了一个由二十多件手工制作的微音调乐器组成的管弦乐队,这些乐器被调到他所谓的每八度43个音调的单音音阶上。他还创作了几十部大小不一的充满活力的独特音乐作品,并在他的《音乐的起源》一书中撰写了具有持久意义的理论陈述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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