A. Canclini, Luca Mucci, F. Antonacci, A. Sarti, S. Tubaro
{"title":"A methodology for estimating the radiation pattern of a violin during the performance","authors":"A. Canclini, Luca Mucci, F. Antonacci, A. Sarti, S. Tubaro","doi":"10.1109/EUSIPCO.2015.7362643","DOIUrl":null,"url":null,"abstract":"We propose a method for the estimation of the three-dimensional radiation pattern of violins, during the performance of a musician. A microphone array captures the energy radiated by the violin in different directions using beamforming based on sub-arrays. The 3D radiation pattern is estimated allowing the musician to freely move. In particular, a tracking system estimates the position and orientation of the violin. The adopted system can be also used in a mildly reverberant environment, thus allowing the musician to play in a natural fashion. The experimental results prove the accuracy and the effectiveness of the method.","PeriodicalId":401040,"journal":{"name":"2015 23rd European Signal Processing Conference (EUSIPCO)","volume":"79 ","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"2015 23rd European Signal Processing Conference (EUSIPCO)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/EUSIPCO.2015.7362643","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 5
Abstract
We propose a method for the estimation of the three-dimensional radiation pattern of violins, during the performance of a musician. A microphone array captures the energy radiated by the violin in different directions using beamforming based on sub-arrays. The 3D radiation pattern is estimated allowing the musician to freely move. In particular, a tracking system estimates the position and orientation of the violin. The adopted system can be also used in a mildly reverberant environment, thus allowing the musician to play in a natural fashion. The experimental results prove the accuracy and the effectiveness of the method.