THE LOST LEADER

Mick Imlah
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引用次数: 2

Abstract

'No poet in Scotland now can take as his inspiration the folk impulse that created the ballads, the people's songs, the legends of Mary Stuart and Prince Charlie,' proposed Edwin Muir. Yet many of the poems in Mick Imlah's new collection do take the most over-worn of Scottish myths as their apparent starting points, spanning the Wallace and the Bruce; the Bonnie Prince (pivotal "Lost Leader" of the title), Robert Burns and Walter Scott; whisky, Clydeside and football. Imlah's approach to this folklore is brilliantly fresh, a modern, sardonic but strongly-felt rendering of Scotland: from AD 500, by way of a guided tour of Iona, to yesterday at a Dumfries bus depot. And, as the chronicle reaches the twentieth century, the poems turn to friends and family - childhood reminiscences, elegies and celebrations - influenced still by sporting and military fantasy, the charm of history and the power of anachronism.
迷失的领袖
埃德温·缪尔说:“苏格兰现在没有一个诗人能从民谣、民间歌曲、玛丽·斯图尔特和查理王子的传说中获得灵感。”然而,米克·伊姆拉的新诗集中的许多诗歌确实以最古老的苏格兰神话为明显的起点,从华莱士到布鲁斯;邦妮王子(Bonnie Prince)(片名中关键的“失落的领袖”)、罗伯特·伯恩斯(Robert Burns)和沃尔特·斯科特(Walter Scott);威士忌,克莱德赛和足球。伊姆拉对这个民间传说的处理方法非常新颖,是对苏格兰的现代、讽刺但又强烈的渲染:从公元500年,通过导游的爱奥纳岛之旅,到昨天在邓弗里斯的一个公共汽车站。而且,随着编年史进入20世纪,诗歌转向朋友和家人——童年回忆、挽歌和庆祝活动——仍然受到体育和军事幻想、历史的魅力和时代错误的力量的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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