{"title":"La percepción del color como base para la composición artística","authors":"Javier Sanz-Aznar","doi":"10.18848/2474-5197/cgp/v06i02/19-27","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":431904,"journal":{"name":"Revista Internacional de la Imagen","volume":"5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Internacional de la Imagen","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18848/2474-5197/cgp/v06i02/19-27","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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