DYNAMICS OF THE PRINCIPLES OF DESCRIPTION OF THE LITERARY PROCESS AS A THEORETICAL PROBLEM IN RUSSIAN LITERARY STUDIES

E. Selyutina
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Abstract

One of the leading problems of modern Russian literary criticism is the development of grounds for describing the modern literary process as a complex interaction of new communicative conditions for the existence of artistic literature, new forms of its production and consumption. Since the sphere of literary studies has been searching for universal laws for describing artistic creativity for more than two centuries, and the poetics of literature was formed within the framework of various methodological schools, that are in a state of intense discussion, there are a number of approaches that put fundamentally different meanings into the same concept. The analysis of the accepted approaches in the description of the term “literary process” in Russian literary criticism, traditional conventions in the presentation of the literary process that have developed in Russian literary criticism under the influence of global and local trends, leads to the conclusion that the study of the literary process as a theoretical problem has come to the point of the need to create a new work of a generalizing type, which is associated with the actualization and reactualization of a number of methods.
文学过程的动态描述原则是俄罗斯文学研究中的一个理论问题
现代俄罗斯文学批评的主要问题之一是,如何发展将现代文学过程描述为艺术文学存在的新传播条件,其生产和消费的新形式的复杂相互作用的基础。由于两个多世纪以来,文学研究领域一直在寻找描述艺术创造力的普遍规律,而文学诗学是在各种方法论流派的框架内形成的,处于激烈的讨论状态,因此有许多方法对同一个概念赋予了根本不同的含义。对俄罗斯文学批评中描述“文学过程”一词的公认方法、在全球和地方趋势的影响下在俄罗斯文学批评中发展起来的文学过程的传统习俗进行分析,得出的结论是,作为一个理论问题,对文学过程的研究已经到了需要创造一种概括类型的新作品的地步。这与许多方法的实现和再实现有关。
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