{"title":"Cybernetic Feedback Processes in Music-Theatre Practice: The Im-Medea Cycle","authors":"T. Polymeneas-Liontiris, Eugenia Demeglio","doi":"10.47041/xvro7587","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":126863,"journal":{"name":"ECHO, a journal of music, thought and technology","volume":"30 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ECHO, a journal of music, thought and technology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47041/xvro7587","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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