Hvad blev der af Julemandshæren? Om arkivering af flygtige scenekunstformer

Anna Lawaetz
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Abstract

Anna Lawaetz: Whatever Happened to the Santa Claus Army?On Archiving Ephemeral Theatre Forms Since the 1960s there has been a paradigm shift in the theatre towards a post-dramatictheatre, in which the playtext is not the most important basis for the staging but is partof an interplay with other parameters such as visuals, sound, and movement. This poseschallenges to traditional archival strategies that rely on the playtext. New collectionstrategies are required to ensure this cultural heritage is preserved.This study takes as its starting point a work that goes beyond the unities of action,time and place and challenges the collection strategies the most: The Santa Claus Army(Julemandshæren) by the theatre group Solvognen (1968‑83). The performance tookplace over five days in the Copenhagen area in December 1974, and was included inthe Cultural Canon in 2006 as an important contribution to Danish culture. The studyexamines only records preserved at The Royal Danish Library due to the legal depositact, as the Special Collection Department made no further acquisitions. Two sources areidentified in the study: first, contemporary and subsequent recollections, and second,works based on material from The Santa Claus Army that paraphrase the original. Thestudy compares the so-called repertoire, the oral narrative of the event, and the archivalrecords and highlights the differences. It furthermore shows how the re-staging of thework in 2006 by a younger artist is based mainly on the so call repertoire.The Santa Claus Army is well documented, although no playtext was collected. Theperformance is unfortunately not representative as Solvognen systematically used themedia to promote and enlarge their work. The main scoop of this study is that itshows how Solvognen are over-represented in contemporary and later media coveragethrough the legal deposit act compared to other theatre groups in the 1970s. This callsfor reflections on collection strategies. A revision of the legal deposit act is proposedas well as archival strategies known from other performing arts archives.
圣诞老人军团怎么了?关于将短暂的表演艺术形式存档
安娜·洛瓦兹:圣诞老人军团到底怎么了?自20世纪60年代以来,剧院出现了一种向后戏剧剧场的范式转变,在这种转变中,剧本不是舞台最重要的基础,而是与视觉、声音和动作等其他参数相互作用的一部分。这对依赖剧本的传统档案策略提出了挑战。需要新的收藏策略来确保这一文化遗产得到保护。本研究以一部超越动作、时间和地点的统一性并对收藏策略提出最大挑战的作品为出发点:索尔瓦格尼恩剧团(1968 - 83)的《圣诞老人军团》(julemandshø ren)。该演出于1974年12月在哥本哈根地区进行了为期五天的演出,并于2006年作为对丹麦文化的重要贡献被列入《文化佳典》。由于特别收藏部没有进一步的收购,这项研究只检查了由于法定保管而保存在丹麦皇家图书馆的记录。研究确定了两个来源:第一,当代和后来的回忆,第二,根据《圣诞老人军队》的材料改写原著的作品。该研究比较了所谓的曲目,即事件的口头叙述和档案记录,并强调了两者的差异。此外,它还展示了2006年由一位年轻艺术家重新上演的作品是如何主要基于所谓的保留剧目。虽然没有收集到剧本,但圣诞老人军队的记载很好。不幸的是,这一表现并不具有代表性,因为Solvognen系统地利用媒体来宣传和扩大他们的作品。这项研究的主要独家新闻是,它显示了与20世纪70年代的其他戏剧团体相比,通过法律存款法案,Solvognen在当代和后来的媒体报道中是如何被过度代表的。这需要对收集策略进行反思。并提出了对《法定保管法》的修改,以及借鉴其他表演艺术档案的归档策略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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