Crafting with a purpose: How the ‘work’ of the workshop makes, promotes and embodies well-being

F. Hackney, L. Setterington
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引用次数: 1

Abstract

This article examines two community arts textile projects to consider the relationship between workshops, as method (and methodology), and the research/knowledge that emerges from and through them. The ‘workshop’ is understood as the structural relationship between people, processes, materials and place, while ‘work’ is the knowledge/research that emerges from these interactions. While different in intent and structure, both projects share concerns about making, health and well-being. Craftivist Garden #wellMAKING worked with a network of local amateur craft groups across the United Kingdom to think critically about health and well-being, while Kotha and Kantha examined how stitch serves as an alternative well-making strategy for a group of Bangladeshi-born women living in Manchester, United Kingdom. The article argues that thinking about the workshop as a ‘holding form’ and/or ‘bloom space’ and paying attention to the stories told and artefacts (knowledge objects) made in workshops is vital to understanding their value.
有目的的制作:工作室的“工作”如何创造、促进和体现幸福
本文考察了两个社区艺术纺织品项目,以考虑工作坊之间的关系,作为方法(和方法论),以及从中产生的研究/知识。“车间”被理解为人、过程、材料和地点之间的结构关系,而“工作”是从这些相互作用中产生的知识/研究。虽然意图和结构不同,但这两个项目都关注制作、健康和福祉。手工艺者花园#wellMAKING与英国各地的当地业余手工艺团体网络合作,批判性地思考健康和福祉,而Kotha和Kantha则研究了如何为居住在英国曼彻斯特的一群孟加拉国出生的女性提供另一种手工艺策略。文章认为,将工作坊视为“保存形式”和/或“绽放空间”,并关注工作坊中讲述的故事和制作的人工制品(知识对象)对于理解其价值至关重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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