Screening Terror

M. Ames
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Abstract

Chapter One analyzes how television not only responded to 9/11 immediately after the tragedy, but also how it responded (and continues to respond) to it years later through fictionalized dramas. By studying the presence of post-9/11 motifs (e.g. salvation, justice, fear, conspiracy) in 21st century fictional television narratives -- through quantitative data on programming trends and a close reading of one particular program -- this essay argues that such programs are important sites where the terrorist attack (and the cultural climate it sparked) is emotionally worked through. However, this chapter also suggests that television's reluctance to revise its post-9/11 narrative in order to reflect contemporary geopolitical realities may also contribute to the perpetual fear cycle shaping national discourse in the United States.
筛选恐怖
第一章分析了电视不仅是如何在911悲剧发生后立即对其作出反应的,而且还分析了电视是如何在多年后通过虚构的电视剧对其作出反应(并继续作出反应)的。通过研究21世纪虚构电视叙事中存在的后9/11主题(如救赎、正义、恐惧、阴谋)——通过对节目趋势的定量数据和对一个特定节目的仔细阅读——本文认为,这些节目是恐怖袭击(及其引发的文化氛围)在情感上发挥作用的重要场所。然而,本章还表明,电视不愿修改其后9/11叙事,以反映当代地缘政治现实,这可能也有助于塑造美国国家话语的永久恐惧循环。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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