Soviet Mass Song of the 1920s-1940s in the Mirror of the Epoch

I. Starodubtseva, Gennadii A. Khait, Kseniya S. Bashkeeva
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引用次数: 1

Abstract

Relevance. The relevance of studying the phenomenon of Soviet mass song is currently increasing due to special attention to educational work, to the formation of an active civic position among modern youth. This genre is not only a sign of the era, but also clearly reflects the spiritual, moral, patriotic values of Russian society. The purpose of this article is consideration of the stages of formation of the Soviet mass song genre in the 1920-1940s. Research objectives to consider the formation and development of the Soviet mass song genre in the 1920-1940s; to identify the influence of the main events of national history that influenced the evolution of this genre. Methodology. The work uses general scientific methods of analysis and synthesis of information, as well as a set of methods of historical-cultural, problem-chronological nature; the analysis of the means of musical expressiveness and genre and stylistic features of the subject of research was applied. Results. The social structure of society, which changed after the October Revolution of 1917, required changes in the country's cultural policy. The desire to "throw Pushkin off the ship of modernity" and build a new world led to the emergence and flourishing of the Soviet mass song genre. The concept of “mass song” was filled with new content at different stages of development: in the 1920s, arrangements of revolutionary songs for the choir were among the leading directions in composer creativity. The practice of composing a new text to an already existing melody was widespread. After the end of the civil war, modern dance rhythms penetrate the mass song, against which a large-scale campaign is unfolding in society. In the prewar years, this genre reflected the themes of socialist construction, memories of historical events and bright hopes. With the beginning of the Great Patriotic War, the task facing the artists was determined by the need to help the people survive, raise their fighting spirit, and strengthen patriotic feelings. Conclusion. The Soviet mass song has become an expression of the values and needs of the era and a real documentary evidence of its time.
20世纪20年代至40年代的苏联群众歌曲在时代的镜子
的相关性。由于对教育工作的特别重视,对现代青年积极公民立场的形成,研究苏联群众歌曲现象的重要性日益增加。这种体裁不仅是时代的标志,也清楚地反映了俄罗斯社会的精神、道德、爱国价值观。本文的目的是考察20世纪20年代至40年代苏联大众歌曲类型的形成阶段。研究目的:考察20世纪20- 40年代苏联大众歌曲类型的形成与发展;确定影响这一流派演变的国家历史主要事件的影响。方法。这项工作使用了分析和综合信息的一般科学方法,以及一套历史文化,问题时间性质的方法;分析了音乐表现手法和体裁以及研究对象的风格特点。结果。1917年十月革命后,社会结构发生了变化,这就要求国家的文化政策发生变化。“把普希金从现代性的船上扔下去”和建立一个新世界的愿望导致了苏联大众歌曲类型的出现和繁荣。“群众歌曲”的概念在不同的发展阶段充满了新的内容:在20世纪20年代,为合唱团编曲革命歌曲是作曲家创作的主要方向之一。为已有的旋律谱曲的做法很普遍。内战结束后,现代舞蹈的节奏渗透到群众歌曲中,社会上展开了一场大规模的反对运动。在战前,这一类型反映了社会主义建设的主题、历史事件的记忆和美好的希望。随着卫国战争的开始,帮助人民生存,提高人民的战斗精神,加强爱国主义感情的需要决定了艺术家面临的任务。结论。苏联群众歌曲已经成为一个时代的价值观和需求的表达和一个真实的纪实证据的时代。
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