Assessing Social Concerns Over the Impact of Popular Music and Music Video: A Review of Scholarly Research

D. Atkin, R. Abelman
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Abstract

For over a half century, the evolution of rock music has been marked by controversy over its social influence. Arguments by the pro- and anti-regulation/censorship camps echo those encountered in debates over the effects of media violence and pornography generally (1). The present study reviews empirical work on the content and effects of violence in rock music and music videos. In evaluating whether the research meets the high burden for regulatory intervention, we must first establish (1) whether the content of these popular arts is, in fact, providing an increasingly graphic content environment, and (2) whether such contents actually influence audience attitudes and behaviors. A narrative review of the literature suggests that critics of popular music have needed to "fill in the blanks" of their empirical arguments with selective citations to the voluminous literature on general media effects (e.g., with TV violence). The literature on popular music and music videos provides little in the way of longitudinal, externally valid findings that can establish a "smoking gun" with media influences as potent causal agents with human behavior. Implications for media regulation are discussed.
评估社会对流行音乐和音乐录影带影响的关注:学术研究综述
半个多世纪以来,摇滚音乐的演变一直伴随着对其社会影响的争议。支持和反对监管/审查阵营的争论与媒体暴力和色情影响的争论相呼应(1)。本研究回顾了摇滚音乐和音乐视频中暴力内容和影响的实证工作。在评估本研究是否满足监管干预的高负担时,我们必须首先确定(1)这些流行艺术的内容是否实际上提供了一个越来越图形化的内容环境,以及(2)这些内容是否实际上影响了观众的态度和行为。对文献的叙述性回顾表明,流行音乐评论家需要通过选择性地引用大量关于一般媒体效应(例如,电视暴力)的文献来“填补”他们经验论证的空白。关于流行音乐和音乐视频的文献几乎没有提供纵向的、外部有效的发现,这些发现可以建立一个“确凿的证据”,即媒体影响是人类行为的有力因果因素。讨论了对媒体监管的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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