Society of Surveillance and Government of the Eye in Dystopian Films: An Analysis of The Lobster and Equilibrium

Sevgi Çatalbaş, B. Kaya
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Abstract

Surveillance has been a control mechanism and a power device used by those in power throughout the history. Surveillance, thrived and diversified paralel to the progress of capitalism, today is a power apparatus which spread over every aspect of life and presence of which is inured by them asses. The so called panopticon, form of one way constant surveillance and manipulation has turned into what can be described as a Super-panopticon with the development of information technologies. The objective of this study is to reveal the functioning of today’s super-panopticon and to describe how this control apparatus is exercised by those in AJIT-e: Online Academic Journal of Information Technology 2017-Special Issue/Özel Sayı –Cilt/Vol: 8‐Sayı/Num: 30 DOI: 10.5824/1309‐1581.2017.5.002.x http://www.ajit‐e.org/?menu=pages&p=details_of_article&id=284 22 power. As a part of this objective, dystopian films The Lobster and Equilibrium. The films have been analyzed in the context of the social order and surveillance network of the worlds they picture. As for the analysis results, it is seen that the surveillance and audits which are found negative in the film results resemble actual life. In both films, it occurs that potencies use surveillance systems effectively on individuals to consolidate their status quos. The reason of setting surveillance theme in the dystopic movies is not a coincidence, it is about the worries regarding the results of surveillance. In the research which has been done by using content analysis management method, surveillance and control issues which has been placed in the movies appears to show strong similarities with real life. In both movies, it has been determined that governments are effectively using surveillance methods on individuals for strengthening their status quos. Either in the movies that have been observed or in actual life, individuals have become more and more passive and taken to be inside of surveillance systems voluntarily.
反乌托邦电影中的监视社会与眼睛政府:对龙虾与平衡的分析
纵观历史,监视一直是当权者使用的一种控制机制和权力手段。监视,随着资本主义的发展而蓬勃发展和多样化,今天是一种权力机器,它遍布生活的各个方面,它的存在被他们的资产所伤害。随着信息技术的发展,所谓的panopticon,即单向持续监视和操纵的形式已经变成了一个可以被描述为超级panopticon的形式。本研究的目的是揭示当今超级panopticon的功能,并描述AJIT-e:在线信息技术学术期刊2017-特刊/Özel sayyi -Cilt /Vol: 8‐sayyi /Num: 30 DOI: 10.5824/1309‐1581.2017.5.002中的人如何使用这种控制装置。X http://www.ajit‐e.org/?menu=pages&p=details_of_article&id=284 22功率。作为这一目标的一部分,反乌托邦电影《龙虾》和《平衡》。这些电影是在它们所描绘的世界的社会秩序和监视网络的背景下进行分析的。从分析结果来看,电影中发现的负面的监控和审计结果与现实生活相似。在这两部电影中,当权者都有效地利用监视系统来巩固他们的地位。在反乌托邦电影中设置监控主题的原因并不是巧合,而是出于对监控结果的担忧。在运用内容分析管理方法所做的研究中,电影中出现的监控问题似乎与现实生活有很强的相似之处。在这两部电影中,人们都认为政府正在有效地利用监视手段来强化个人的地位。无论是在我们观察到的电影中,还是在现实生活中,个人变得越来越被动,并自愿进入监控系统。
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