{"title":"Comparative, Entangled, Parallel and ‘Other’ Cinema Histories. Another Reflection on the Comparative Mode Within New Cinema History","authors":"D. Biltereyst, P. Meers","doi":"10.18146/tmg.795","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":187553,"journal":{"name":"TMG Journal for Media History","volume":"344 6-7","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"TMG Journal for Media History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18146/tmg.795","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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