{"title":"Vom hohen Ton zum »künstlich tief gezogenen Bühnenboden« – Anspielungshorizont, Vielstimmigkeit und Sound in Rühmkorfs (Jazz &) Lyrik","authors":"L. Michel","doi":"10.5771/9783835347670-265","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":250894,"journal":{"name":"»Wo ich gelernt habe«. Peter Rühmkorf und die Tradition","volume":"88 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"»Wo ich gelernt habe«. Peter Rühmkorf und die Tradition","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5771/9783835347670-265","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}