Migration and Fusion: Tracing the Roots of Chutney Music, A Journey from Bihar to Trinidad

Anshul Rani
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Abstract

Historians try to discern the reason for large scale population movement and the effects of those changes. In general, we can divide all the forces into two, pushing and pulling forces, that affect people’s migration. Political turmoil, a lack of employment opportunities or congestion could work as pushing factors. Pulling factors include better life style, job opportunities or having relatives who have already moved. Different ethenic groups encounter one another and the hosting land works as a melting pot in which process of cultural amalgamation happens to create a new form. Chutney Music is the resultant of this very process in which Bhojpuri and Indian folk music are amalgamated with Caribbean calypso and Soca music. This is a fusion of Dhantal and Dholak from Indian continent, Soca beats and Tasha drums from Caribbean island. In this paper we map out the journey of Chutney music from north India to Caribbean island and how it evolved.
迁徙与融合:追寻酸辣酱音乐的根源,从比哈尔邦到特立尼达的旅程
历史学家试图找出大规模人口流动的原因以及这些变化的影响。一般来说,我们可以把所有影响人们迁移的力分为两种,推力和拉力。政治动荡、缺乏就业机会或交通拥堵都可能成为推动因素。拉动因素包括更好的生活方式、工作机会或有亲戚已经搬家。不同的种族群体相遇,东道国就像一个大熔炉,在这个熔炉中,文化融合的过程碰巧创造了一种新的形式。酸辣酱音乐就是这个过程的结果在这个过程中Bhojpuri和印度民间音乐与加勒比calypso和Soca音乐融合在一起。这是来自印度大陆的Dhantal和Dholak,来自加勒比海岛屿的Soca节拍和Tasha鼓的融合。在本文中,我们绘制了酸辣酱音乐从印度北部到加勒比海岛屿的旅程,以及它是如何演变的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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