Narratives of the provenance of art and antiquities on the market and the reality of origins at the source

Samuel Andrew Hardy
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Abstract

This essay presents the findings of the International Conference on Handling of Cultural Goods and Financing of Political Violence and introduces provenance research that examines the market in Europe for antiquities from Asia and the market in North America for antiquities from Europe. It summarises findings, such as the involvement of violent political organisations, transnational organised criminals and politically-exposed persons (PEPs) in illicit trafficking of cultural objects. It also highlights some foundations for progress, such as enhanced traceability and due diligence in the art market, plus action and cooperation to respond to illicit flows as regional problems.   On cover:ANNIBALE CARRACCI (BOLOGNA 1560 - ROME 1609), An Allegory of Truth and Time c. 1584-1585.Oil on canvas | 130,0 x 169,6 cm. (support, canvas/panel/str external) | RCIN 404770Royal Collection Trust / © Her Majesty Queen Elizabeth II 2021.
市场上的艺术和古董的起源叙述和起源的现实
本文介绍了“文化物品处理和政治暴力融资国际会议”的研究结果,并介绍了对亚洲古董在欧洲市场和欧洲古董在北美市场的来源研究。它总结了调查结果,例如暴力政治组织、跨国有组织犯罪分子和政治人物(pep)参与非法贩运文物。它还强调了取得进展的一些基础,例如加强艺术品市场的可追溯性和尽职调查,以及采取行动与合作,以应对作为区域问题的非法流动。封面:安妮巴尔·卡拉奇(博洛尼亚1560 -罗马1609),《真理与时间的寓言》(约1584-1585)。布面油桶130,0 × 169,6厘米。(支架,帆布/面板/str外部)| RCIN 404770皇家收藏信托/©女王伊丽莎白二世陛下2021。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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