Diginalysis: The Man-Machine Collaboration in Music Analysis

Ikenna Emmanuel Onwuegbuna
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Abstract

The digital technology of the twenty-first century has put man and machine in the center stage where electronic generation, production and manipulation of the musical sound are the norm. The dynamics of the century have made time more elusive and patience more diminutive. Time and patience are vital for any form of successful exercise in music analysis. The intricacies of applying logic to resolve complex musical structures, facts, propositions, and concepts into their elements demand more than technical know-how; they demand a lot of time and patience. With the continued fleeing of time and patience, mechanical accuracy in music analysis would need a full-blown computer-driven “diginalysis.” However, inherent limitations of the computer in music analysis, such as decoding the composer’s ideologies, necessitate human-machine collaboration. An in-depth descriptive survey has shown that this effective collaboration between man and machine will collapse time and energy by providing immediate feedback, technical accuracy and dependable results. film-making and
数字分析:音乐分析中的人机协作
21世纪的数字技术已经把人和机器放在舞台的中心,电子的产生、生产和音乐声音的操纵是常态。这个世纪的风云变幻让时间变得更加难以捉摸,让耐心变得更加渺小。时间和耐心对于任何形式的成功的音乐分析练习都是至关重要的。运用逻辑来解决复杂的音乐结构、事实、命题和概念的复杂性需要的不仅仅是技术诀窍;它们需要大量的时间和耐心。随着时间和耐心的不断流失,音乐分析的机械精度将需要一个成熟的计算机驱动的“数字分析”。然而,计算机在音乐分析方面的固有局限性,例如解码作曲家的意识形态,需要人机协作。一项深入的描述性调查表明,人与机器之间的这种有效合作将通过提供即时反馈、技术准确性和可靠的结果来节省时间和精力。电影制作和
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