Celebrating the East: The Contestation of Whiteness and Colored in John M. Chu’s Crazy Rich Asians

Rif'ah Inayati, I. Adi, M. A. Rokhman
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Abstract

Crazy Rich Asians is regarded as one of the movies that successfully represented Asians, regardless of all the controversy. One of the topics clearly presented in the movie is the contestation between the west and east. The dichotomy is resulted from the social construction of the western culture to maintain its superiority over the east culture. Since the movie seems to celebrate the east by portraying the Asian-Asians differently from the old stereotypes or old images of the eastern culture, but at the same time, this research finds that this movie overtly portrays the west as loveable or likable culture. The movie depicts the contrast between east and west through the story. This article is intended to analyze the contestation between east and west which is depicted in the movie. The movie is examined in how it depicts America as the west and Asia as part of the east. Therefore, deconstruction is used as the reading method to see what is behind it, the things that are not seen, related to how the Asians are portrayed in the movie. The finding of this research shows that there are double roles in the movie. The power of whiteness in the American movie industry somehow still brings impacts toward the contestation of whiteness and color.
庆祝东方:朱浩伟《疯狂的亚洲富人》中的白人与有色人种之争
《摘金奇缘》被认为是成功代表亚洲人的电影之一,尽管有很多争议。电影中明确提出的主题之一是西方与东方之间的争论。这种二分法是西方文化为了保持对东方文化的优势而进行社会建构的结果。由于这部电影似乎是通过描绘亚洲人和亚洲人来庆祝东方,而不是东方文化的旧刻板印象或旧形象,但与此同时,本研究发现这部电影公开地将西方描绘成可爱或讨人喜欢的文化。这部电影通过故事描绘了东西方的对比。本文旨在分析电影中所描绘的东西方之争。这部电影是如何描绘美国作为西方和亚洲作为东方的一部分。因此,解构作为一种阅读方法,去看到它背后的东西,那些没有被看到的东西,与电影中亚洲人的形象有关。这项研究的发现表明,电影中有双重角色。美国电影工业中白人的力量在某种程度上仍然对白人和颜色的争论产生影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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