Depiction of Dystopian World in Alexander Payne’s Downsizing

Mariamma Angel A
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Abstract

This paper attempts to study Alexander Payne’s Downsizing through a dystopian perspective in which it highlights the aspects of dystopia in Downsizing. It discusses the working of a dystopian government which is oppressive and describing the instances that signifies that the government depicted in Downsizing as tyrannical. It projects the ways in which the government tries to justify their deeds of downsizing their rivalries. This chapter also analyses the effects caused by technology in facilitating the destruction of nature and mankind in a dystopian world. It also describes the aspects of eco- dystopia present in the movie in which it highlights the impact of the interference of human beings with nature which subsequently leads to the possibility of an apocalyptic vision. It discusses the relationship of dominance and subjectivity between man -kind and nature where human beings generally take on the role of the master and nature is treated as an entity to be destroyed and exploited by human beings.
亚历山大·佩恩《缩小规模》对反乌托邦世界的描绘
本文试图从反乌托邦的视角来研究亚历山大·佩恩的《裁员》,突出《裁员》中反乌托邦的几个方面。它讨论了一个压迫性的反乌托邦政府的运作,并描述了在《缩小规模》中描述的政府是专制的实例。它展示了政府试图为他们缩小竞争对手的行为辩护的方式。这一章还分析了在一个反乌托邦的世界里,技术在促进对自然和人类的破坏方面所造成的影响。它还描述了电影中出现的生态反乌托邦的各个方面,其中强调了人类对自然的干扰所产生的影响,这种干扰随后导致了世界末日愿景的可能性。它探讨了人类与自然的支配性和主体性关系,人类普遍扮演主人的角色,将自然视为一个被人类破坏和利用的实体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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