Chronotop of Kosovo and Metohija: 'The Raven kiss' Novica Sovrlić

S. Baščarević
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Abstract

Collection of poems The Raven kiss Novica Sovrlić novel is related to the chronotop of Kosovo and Metohija, for the spirit and consciousness of the Serbian people, for sacred and world heritage and tradition, but also for modern sensations. The aim of the paper is to point out the poems that open the question of the survival of the Serbian people in the Kosovar region at the present moment, the question of patriotism, Orthodoxy, the resurrection of Slavs. Kosovo and Metohija is presented in this collection as a cult of the Serbian people, as liturgy of Serbian literature, as a spiritual center. Novica Sovrlić understood the various poetic achievements of the topic of Kosovo and Metohija as a personal tragedy within the framework of collective suffering. For this reason, research using an analytical - synthetic method will be necessary. We will conclude that the most successful are the songs in which medieval and modern music are permeated and that the songs of this collection are prone to tradition, but do not go into traditionalism, because the poet uses them in modern poetry. Through Sovrlić's poetic intimacy, the suffering of the Serbian people in Kosovo and Metohija is expressed and there is no other denominator other than Kosovo and Metohija. His poetry is a confession and personal experience, but also a documented reality of the suffering, refugees and homelands, because the issue of Kosovo-metohian poetry is also a question of the survival of the Serbian people and the pain for the Kosovar-Metohija country. The chronotopos of Kosovo and Metohija is surrounded by the Celestial Empire for Novica Sovrlić.
科索沃和梅托希亚的Chronotop:“乌鸦之吻”Novica sovrliki
《乌鸦之吻Novica sovrliki》小说与科索沃和梅托希亚(Metohija)的chronotop有关,为塞尔维亚人民的精神和意识,为神圣和世界遗产和传统,也为现代感觉。本文的目的是指出这些诗歌揭示了当前科索沃地区塞尔维亚人的生存问题,爱国主义,东正教,斯拉夫人的复活问题。科索沃和梅托希亚在这个集合中作为塞尔维亚人民的崇拜,作为塞尔维亚文学的礼拜仪式,作为精神中心。Novica sovrliki将科索沃和梅托希亚主题的各种诗歌成就理解为集体苦难框架下的个人悲剧。因此,采用分析综合方法进行研究是必要的。我们将得出结论,最成功的是那些渗透了中世纪和现代音乐的歌曲,这些歌曲倾向于传统,但不会进入传统主义,因为诗人在现代诗歌中使用了它们。通过索弗利奇的诗意亲密,表达了科索沃和梅托希亚塞尔维亚人民的苦难,除了科索沃和梅托希亚之外,没有其他的分母。他的诗歌是一种自白和个人经历,但也记录了苦难、难民和家园的现实,因为科索沃-梅托希亚诗歌的问题也是塞尔维亚人民的生存问题和科索沃-梅托希亚国家的痛苦问题。科索沃和梅托希亚的chronotopos被Novica sovrliki的天体帝国所包围。
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