Arabic literature: Ali Ahmed Ba-Kathir’s Omar ibn Al-Khattab an epic verse drama (1)

Yahya Saleh Hasan Dahami, Mohammed Ahmed Mohammed Alzahrani
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Abstract

This paper attempts to cast light on a leading poet-playwright who signifies several Arabic cultures, proficiencies, and skills. The study aims at revealing to what extent the play Omar is a modern Arabic poetic play. Omar is a historical drama that deals with social problems. Omar presents a vision of Arabic drama in the modern age, but it is also a poetic play. For that, it is the task of the researcher to try to prove that Omar bears several grounds, such as poetic devices and connotative symbols, to be called a poetic drama. The investigator adopts the critical-descriptive method in analyzing the first scene of the introduction of the play, Omar. The paper is planned with an introductory overview dealing with a brief view of poetic drama and blank verse. The second part deals with Ali Ahmad Ba-Kathir as a pioneer poet-dramatist. The main part of the study deals with the epic play Omar with reference to the first scene of the introduction, shedding light on the skillfulness of the writer in manipulating poetic and musical devices. The task finishes with recommendations and a brief conclusion.
阿拉伯文学:阿里·艾哈迈德·巴·卡希尔的《奥马尔·伊本·哈塔卜》史诗剧(1)
本文试图揭示一位杰出的诗人兼剧作家,他代表了几种阿拉伯文化,熟练程度和技能。本研究旨在揭示《奥马尔》在多大程度上是一部现代阿拉伯诗剧。《奥马尔》是一部处理社会问题的历史剧。奥马尔呈现了现代阿拉伯戏剧的视野,但它也是一部诗意的戏剧。因此,研究者的任务是试图证明《奥马尔》具有诗性手段和内涵符号等几个理由,可以被称为诗性戏剧。研究者采用批判-描述的方法来分析戏剧《奥马尔》引言的第一场戏。本文计划以一个概括性的概述来处理诗歌戏剧和无韵诗的简要观点。第二部分论述了阿里·艾哈迈德·巴·卡西尔作为诗人戏剧家的先驱。研究的主要部分是通过对史诗剧《奥马尔》的介绍,揭示了作者在运用诗歌和音乐手段方面的技巧。任务以建议和简短的结论结束。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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