Exhibiting Surinamese Histories of Art: Curatorial Approaches Towards Diversity

Oscar Ekkelboom
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Abstract

In December 2020 the Stedelijk Museum Amsterdam opened the exhibition Surinaamse School: Schilderkunst van Paramaribo tot Amsterdam (Surinamese School: Painting from Paramaribo to Amsterdam, 2020–2021). The exhibition displayed over a hundred paintings by thirty-six artists who were born or had worked in Suriname from 1910 to the mid-1980s. In particular, attention was paid to artists who were important for art education and the professionalization of artistic practice in the country. This is an unconventional topic for the Dutch museum, because it has not often displayed the work of Surinamese artists, let alone in the context of a Surinamese national history of art. In general, when delving into the exhibition histories of Dutch art museums, it stands out that little interest is shown in histories of art outside the west
展示苏里南的艺术史:多元化的策展方法
2020年12月,阿姆斯特丹市立博物馆举办了“苏里南画派:从帕拉马里博到阿姆斯特丹的绘画,2020 - 2021”展览。此次展览展出了36位艺术家的100多幅画作,这些艺术家从1910年到80年代中期在苏里南出生或工作。特别注意对该国艺术教育和艺术实践专业化具有重要意义的艺术家。对于荷兰博物馆来说,这是一个非常规的话题,因为它不经常展示苏里南艺术家的作品,更不用说在苏里南国家艺术史的背景下了。总的来说,当深入研究荷兰艺术博物馆的展览历史时,会发现人们对西方以外的艺术史几乎没有兴趣
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