toxicity

Danny Hoffman
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Abstract

Ibrahim is a tour guide in the Senegalese capital, Dakar. His carefully crafted tour takes you around the city. But it builds steadily to what is clearly, for him, the grand finale. And indeed, what Ibrahim most wants you to see is a marvel: the Monument to the African Renaissance. 160ft high, it is the tallest statue in Africa. It sits at the highest point in the city. Built by North Koreans, it is a Socialist Realist fantasy: a bare chested, muscle bound man lifting a baby in one hand and squeezing a half-naked, diminutive woman with the other. Senegalese president Abdoulaye Wade commissioned the monument, and although funded by the Senegalese state, his family takes a third of all proceeds from ticket sales. Even members of Senegal’s parliament call the Monument a $27 million crime, and the results a monstrous waste.
毒性
易卜拉欣是塞内加尔首都达喀尔的一名导游。他精心安排的行程将带你游览这座城市。但对他来说,这首歌的结尾显然是最精彩的。事实上,易卜拉欣最想让你看到的是一个奇迹:非洲文艺复兴纪念碑,它有160英尺高,是非洲最高的雕像。它坐落在城市的最高点。它是由朝鲜人建造的,是一个社会主义现实主义的幻想:一个裸露的胸部,肌肉发达的男人一手抱着一个婴儿,另一只手捏着一个半裸的小女人。塞内加尔总统阿卜杜拉耶·韦德(Abdoulaye Wade)委托建造了这座纪念碑,尽管由塞内加尔国家资助,但他的家人拿走了所有门票收入的三分之一。甚至连塞内加尔的议会成员都称这座纪念碑是2700万美元的犯罪,其结果是巨大的浪费。
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