Is the Dialogue of Cultures a Contemporary Myth?

A. Cheng
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Abstract

“Intercultural dialogue,” notably between China and the West, seems to have replaced the vogue of comparatism in academic guidelines, and warrants the best of intentions to leave Eurocentrism behind us. This paper, however, critically addresses a certain type of comparatism which still remains part of an Orientalist perspective, since it often continues to treat China as the radical “Other” with which to be compared, so as to make it respond to totally irrelevant questionings. This is a way of stubbornly maintaining the idea of otherness, which freezes oppositions outside of time and space and does not allow one to detect the plurality and diversity of real differences. An unfortunate consequence of this is the constant risk of falling into some type of essentialism, and to end up, albeit non-intentionally, reinforcing diehard preconceived ideas. It is therefore high time that we should try and reach beyond our deeply ingrained Orientalistic frame of mind.
文化对话是当代神话吗?
“跨文化对话”,尤其是中国和西方之间的“跨文化对话”,似乎已经取代了学术指导方针中比较主义的流行,并保证了将欧洲中心主义抛在脑后的最佳意图。然而,本文批判性地论述了某种类型的比较主义,这种比较主义仍然是东方主义视角的一部分,因为它经常继续将中国视为激进的“他者”,以便与之进行比较,从而使其对完全无关的问题做出回应。这是一种顽固地维持他者观念的方式,它将对立冻结在时间和空间之外,不允许人们发现真正差异的多元性和多样性。这样做的一个不幸后果是,我们不断有可能陷入某种本质主义,并最终强化顽固的先入为主的观念,尽管这并非有意为之。因此,我们是时候尝试超越我们根深蒂固的东方主义思维框架了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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