Active and personalized experience of sound and music content

A. Camurri, G. Volpe
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引用次数: 3

Abstract

With active experience and active listening we mean a novel approach to music listening, where listeners are enabled (interactively and in real-time) to access, retrieve, and operate on music content, including the possibility to modify and mould such content. Active listening is the basic concept for a novel generation of interactive music systems, which are particularly addressed to the general users. A key focus is on content personalization and context awareness in the framework of mobile music applications. This paper discusses the research challenges that need to be faced for developing systems and devices for active listening in shared, distributed, and social collaborative environments. It also illustrates a first concrete application demonstrated in a multimodal interactive dance/music installation ldquoMappe per Affetti Errantirdquo, that we presented at our site in Casa Paganini, Genova, Italy, in the framework of ldquoFestival delta Scienzardquo, an international science exhibit held in October November 2007. The work here described includes some novel improvements emerging from this public testing. Research on active listening is carried out in the EU-ICT Project SAME (Sound and Music for Everyone, Everyday, Everywhere, Every Way, www.sameproject.eu).
声音和音乐内容的主动和个性化体验
所谓主动体验和主动聆听,我们指的是一种新颖的音乐聆听方式,听众可以(交互式和实时地)访问、检索和操作音乐内容,包括修改和塑造这些内容的可能性。主动聆听是新一代交互式音乐系统的基本概念,它特别针对一般用户。一个关键的焦点是在移动音乐应用程序框架中的内容个性化和上下文感知。本文讨论了在共享、分布式和社会协作环境中开发主动监听系统和设备需要面临的研究挑战。它还说明了第一个具体的应用,展示了一个多模式互动舞蹈/音乐装置ldquoMappe per Affetti Errantirdquo,我们在意大利热那亚Casa Paganini的场地,在ldquoFestival delta Scienzardquo的框架下,于2007年10月11日举行的国际科学展览。这里描述的工作包括从公开测试中出现的一些新的改进。积极倾听的研究是在欧盟信息通信技术项目SAME(每个人的声音和音乐,每天,无处不在,每一种方式,www.sameproject.eu)中进行的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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