Projection of Orientalist Elements

Selim Beyazyüz
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Abstract

The age of discovery is one of the most important periods in human history whose effects continue to be seen. In this period, the world was traveled by European sailors, new continents were discovered, and the discovered resources, work, and labor power flowed to Europe. All these developments have led to changes in the perception of the East in the West. Orientalism, defined as the manifestation of the West on the East, has found a place in art, literature, all kinds of written or printed media, especially cinema. The purpose of the study is to examine the domination structures starting with colonialism in the context of orientalism through the narratives of cinema in light of information. The narrative of 12 Years a Slave (2013) was examined using the discourse analysis method which is one of the qualitative text analysis. As a result, it was seen that the dialogues, images, character depictions, and the language used played an important role in the presentation of the othering; the white man was in the role of savior/god/good, and this situation was also supported by metaphors.
东方主义元素的投射
大发现时代是人类历史上最重要的时期之一,其影响仍在继续。在这一时期,欧洲水手环游世界,新大陆被发现,发现的资源、工作和劳动力流向欧洲。所有这些发展都导致西方对东方的看法发生了变化。东方主义被定义为西方在东方的表现,它在艺术、文学、各种书面或印刷媒体,尤其是电影中都占有一席之地。本研究的目的是在东方学的背景下,通过信息视角下的电影叙事来审视从殖民主义开始的统治结构。本文采用定性文本分析中的话语分析方法对《为奴十二年》(2013)的叙事进行了研究。因此,可以看出,对话、图像、人物描绘和使用的语言在呈现他者方面发挥了重要作用;白人扮演了救世主/上帝/好人的角色,这种情况也得到了隐喻的支持。
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