Improvisation as System

Kristian Kloeckl
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Abstract

This chapter examines the nature of improvisation as a concept and practice, drawing on literature from the social sciences, humanities, performance studies, and the emerging field of critical improvisation. By providing an understanding of the nature of improvisation, some of its key characteristics, and its historical ties with the urban context, this chapter provides a basis for the work with improvisation for the design in a hybrid city context. The radical and experimental work from the 1960s has gained new significance today, and networked information technologies have reached levels of performance and pervasiveness that were unthinkable half a century ago. Past works have used improvisation predominantly as a concept and metaphor. This chapter suggests, instead, that we consider improvisation more thoroughly to inform a method for the design of interactions in hybrid city environments.
作为系统的即兴创作
本章考察了即兴创作作为一种概念和实践的本质,借鉴了社会科学、人文科学、表演研究和新兴的批判性即兴创作领域的文献。通过对即兴创作的本质、一些关键特征及其与城市文脉的历史联系的理解,本章为在混合城市文脉中使用即兴创作的设计工作提供了基础。20世纪60年代的激进和实验性工作在今天获得了新的意义,网络信息技术的性能和普及程度在半个世纪前是不可想象的。过去的作品主要将即兴创作作为一种概念和隐喻。相反,本章建议我们更彻底地考虑即兴创作,以便为混合城市环境中的交互设计提供一种方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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