Aesthetics of Hui Folk Dance as Audience Service to Leverage Audience Satisfaction

Chunyang Wu, Muhammad Fauzan Abu Bakar, B. Voon
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引用次数: 1

Abstract

Hui folk dance has its unique charm as an indispensable part of Chinese folk dance. It reflects the customs and cultural characteristics of the Hui nationality. This article explores the historical formation of Hui folk dance, analyses its formation process in different periods of history, analyses the culture, the body vocabulary of the folk dance, the music, the rhythm of the dance, the influence on the folk dance, and the expression of aesthetic consciousness. Folk dances of the Hui nationality originate from the folk, and they also show their unique living habits, combining dance with the details of life to outline their unique dance posture. Hui folk dance expresses the value of aesthetic emotions, aesthetic knowledge, and aesthetic ideals of dance through historical portraits, national spirits, and traditional canons. The formation, aesthetic consciousness, and aesthetic characteristics of Hui folk dance were analysed to better understand the history and culture of Hui folk dance, learn it, inherit it, promote it, and enrich it for sustainability. Dance aesthetics as part of audience service. The audience will be aesthetically satisfied and this will affect their behavioural intentions.
以回族民间舞蹈美学为受众服务,撬动受众满意度
回族民间舞蹈作为中国民间舞蹈不可缺少的组成部分,有其独特的魅力。它反映了回族的风俗习惯和文化特色。本文探讨了回族民间舞蹈的历史形成,分析了回族民间舞蹈在不同历史时期的形成过程,分析了回族民间舞蹈的文化、肢体词汇、音乐、节奏、对回族民间舞蹈的影响、审美意识的表达。回族民间舞蹈源于民间,又表现出其独特的生活习惯,将舞蹈与生活细节相结合,勾勒出其独特的舞蹈姿态。回族民间舞蹈通过历史人物形象、民族精神和传统典籍表达舞蹈的审美情感价值、审美知识价值和审美理想价值。分析回族民间舞蹈的形成、审美意识和审美特征,以便更好地了解回族民间舞蹈的历史文化,学习回族民间舞蹈,传承回族民间舞蹈,推广回族民间舞蹈,丰富回族民间舞蹈,使其永续发展。舞蹈美学作为观众服务的一部分。观众会在审美上得到满足,这将影响他们的行为意图。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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