The Garrick Papers: Provenance, Publication, and Reception

N. Smith
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Abstract

Abstract:The Garrick Papers are among the brightest literary jewels in the Forster Collection at the Victoria and Albert Museum. This article reconstructs their provenance, along with that of significant deposits of Garrick's correspondence held elsewhere, and examines the circumstances that led to their publication in 1831–1832. It uses unpublished manuscripts, Chancery records, and annotated sale catalogues to identify the chain of ownership between 1822, when the executors of Eva Maria Garrick (1724–1822), the actor's widow, found them in two cabinets at her Thames-side villa at Hampton, and 1876, when they were bequeathed to the South Kensington Museum. It reveals the original order of Garrick's epistolary archive, and his and others' involvement in its appraisal and arrangement, the various depredations and augmentations that occurred during the fifty years that followed Eva Maria Garrick's death, and the early critical reception and publishing history of the printed editions of Garrick's correspondence.
《加里克论文:出处、出版和接受》
摘要:加里克论文是维多利亚和阿尔伯特博物馆福斯特收藏中最耀眼的文学瑰宝之一。本文重建了它们的来源,以及其他地方保存的大量加里克的信件,并研究了导致它们在1831-1832年出版的情况。1822年,演员的遗孀伊娃·玛丽亚·加里克(1724-1822)的遗嘱执行人在她位于汉普顿的泰晤士河边别墅的两个橱柜里发现了这些手稿,1876年,这些手稿被遗赠给南肯辛顿博物馆,通过未发表的手稿、法院记录和带注释的销售目录来确定这些手稿的所有权链。它揭示了加里克书信档案的原始顺序,以及他和其他人对其评估和安排的参与,在伊娃·玛丽亚·加里克去世后的五十年里发生的各种掠夺和扩充,以及早期评论家对加里克信件印刷版的接受和出版历史。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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