On Beauty as Complicity

Lise Gauvin, Édouard Glissant
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Abstract

This interview concerns Une nouvelle région du monde. Beauty is not essentialist or transcendent but stems from the meeting of differences. The new region is a version of the Whole-World; and beauty comes about through the differences in the world. The book has in common with the Traité du Tout-monde that it concerns a vision of the Whole-World, but differs in that it is centrally about beauty.This realized quantity of differences is not the same as a universal. In all cultures there is a nostalgia for the primordial moment when there was a sense of complicity and fusion with the world around us, as opposed to utilitarian art, which asserts the singularity of a given culture. Primitive or indigenous art retains the sense of fusion with the world. Francophony is a result of the colonial enterprise.
论美是同谋
这次采访与《世界新变革》有关。美不是本质论的,也不是超越性的,而是源于差异的交汇。这个新区域是“全球”的一个版本;美是通过世界的不同而产生的。这本书与《trit du Tout-monde》的共同之处在于,它关注的是整个世界的愿景,但不同之处在于,它以美为中心。这种已认识到的差异的数量与普遍性是不一样的。在所有的文化中,都有一种对原始时刻的怀念,那时我们与周围的世界有一种共通和融合的感觉,而不是功利主义艺术,它断言某种特定文化的独特性。原始或本土艺术保留了与世界融合的感觉。法语国家是殖民企业的产物。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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