Distance: Closeness/Remoteness in Kim Boske’s Photographs

Līga Sakse
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引用次数: 0

Abstract

The work Moving Flowers #1 by the internationally known Dutch artist Kim Boske (born in 1978) was published in the first cover series HOU VOL (“Keep Faith”) of the periodical Het Parool on 30 May 2020. Following the aim of the newspaper to help cope with the disastrous consequences of COVID-19, the artist focused on how our perceptions had changed during the pandemic. If previously the content (or what is being represented) was the element that dominated in photography, then during the pandemic, the representational harmony of the content was replaced by the structural features or the way how something is being represented. The article aims to reflect on the artworks created by Boske in 2020 and to show the circulation of ideas contained in them, and with this case study to highlight more general trends in the recent art photography. 
距离:金·博斯克摄影作品中的亲近/遥远
国际知名荷兰艺术家Kim Boske(1978年出生)的作品《移动的花朵#1》于2020年5月30日在《et Parool》杂志第一期封面系列《HOU VOL》(“Keep Faith”)上发表。继报纸旨在帮助应对COVID-19的灾难性后果之后,这位艺术家关注了我们在大流行期间的看法是如何变化的。如果说之前内容(或被呈现的内容)是摄影的主导元素,那么在大流行期间,内容的再现性和谐被结构特征或呈现事物的方式所取代。本文旨在反思博斯克在2020年创作的艺术作品,并展示其中所包含的思想流通,并通过这个案例研究来突出最近艺术摄影的更普遍趋势。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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