Bava Goes Fashion

R. Curti
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Abstract

This chapter recounts Mario Bava's seventh official solo feature film as a director, a present-day thriller set in the world of high fashion titled The Atelier of Death (L'atelier della morte). It also mentions Bava's two other Gothic horror movies released in Italy in the summer of 1963 that were destined primarily for foreign markets, especially in America. It discusses I tre volti della paura starring Boris Karloff and Mark Damon, and La frusta e il corpo with Christopher Lee and Daliah Lavi. The chapter describes Bava's debut film La maschera del demonio in 1960, which distributed overseas by American International Pictures under the title Black Sunday. It points out how the Italian film industry had increasingly been involved in bilateral and multinational co-productions since the first agreement signed with France in 1949.
巴瓦走向时尚
本章讲述了马里奥·巴瓦作为导演的第七部官方个人故事片,一部以现代高级时装为背景的惊悚片,名为《死亡的工作室》(L'atelier della morte)。它还提到了巴瓦1963年夏天在意大利上映的另外两部哥特式恐怖电影,这两部电影主要面向外国市场,尤其是美国市场。它讨论了由鲍里斯·卡洛夫和马克·达蒙主演的《吸血鬼日记》,以及克里斯托弗·李和达丽娅·拉维主演的《吸血鬼日记》。这一章描述了1960年巴瓦的处女作《恶魔之师》(La maschera del demonio),这部电影由美国国际影业(American International Pictures)以《黑色星期日》(Black Sunday)的名字在海外发行。报告指出,自1949年与法国签署第一份协议以来,意大利电影业如何越来越多地参与双边和跨国合作制作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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