Firenze per Claudio Magris

Ernestina Pellegrini, F. Fastelli, D. Salvadori
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Abstract

This volume brings together a selection of essays on Claudio Magris’ work, aiming to enrich critical debate with a specific focus on interdisciplinary dimension and continuous dialogue with the main European literary traditions. The outcome is an overall study on Magris’ narrative, essayistic and theatrical production, trying to fix his plural and prismatic identity: from the narration of places to an unavoidable ideological tension; from philosophical alphabets to the weight of History; from Myth’s remediation to the abroad reception; from hypotext filigree to real case studies. According to a diachronic perspective, they focus attention on Magris’ works, such as Microcosmi, Alla cieca, Non luogo a procedere and Tempo curvo a Krems.
弗洛伦斯致克劳迪奥·马里斯
本卷汇集了对克劳迪奥·马格里斯的工作散文的选择,旨在丰富与跨学科的维度和持续对话的主要欧洲文学传统的具体重点关键辩论。结果是对马格里斯的叙事、散文和戏剧作品进行全面的研究,试图确定他的多元和棱镜身份:从对地方的叙述到不可避免的意识形态紧张;从哲学字母到历史的重量;从神话的修复到国外的接受;从伪文本到真实的案例研究。根据历时的视角,他们将注意力集中在Magris的作品上,如《Microcosmi》、《Alla cieca》、《Non luogo a procedures》和《Tempo curvo a Krems》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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