{"title":"From the Page to the Screen","authors":"R. Curti","doi":"10.3828/LIVERPOOL/9781911325932.003.0011","DOIUrl":null,"url":null,"abstract":"This chapter concentrates on the 10-page synopsis of “Soggetto cinematografico” and the 156-page script for the film The Atelier of Death (L'atelier della morte), which were both credited to Marcello Fondato and Giuseppe Barillà. It points out that the synopsis was printed on October 1, 1963, while the script is not dated and it's uncertain if it is indeed the definitive draft. It also explains how the screenplay is preceded by a list of the main characters with their physical and behavioural traits itemized, which nonetheless will not be developed or even ignored in the film. The chapter illustrates how Mario Bava simply followed the indications in the script for the film Blood and Black Lace (6 donne per l'assassino) without adding anything to the characters. It stresses that the idea of the comparison with mannequins, a leitmotiv that was maintained through the entire Blood and Black Lace, was absent in the script.","PeriodicalId":210803,"journal":{"name":"Blood and Black Lace","volume":"36 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blood and Black Lace","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/LIVERPOOL/9781911325932.003.0011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter concentrates on the 10-page synopsis of “Soggetto cinematografico” and the 156-page script for the film The Atelier of Death (L'atelier della morte), which were both credited to Marcello Fondato and Giuseppe Barillà. It points out that the synopsis was printed on October 1, 1963, while the script is not dated and it's uncertain if it is indeed the definitive draft. It also explains how the screenplay is preceded by a list of the main characters with their physical and behavioural traits itemized, which nonetheless will not be developed or even ignored in the film. The chapter illustrates how Mario Bava simply followed the indications in the script for the film Blood and Black Lace (6 donne per l'assassino) without adding anything to the characters. It stresses that the idea of the comparison with mannequins, a leitmotiv that was maintained through the entire Blood and Black Lace, was absent in the script.
本章主要介绍《索格托电影》的10页梗概和电影《死亡工作室》(L'atelier della morte)的156页剧本,这两部电影的作者都是马塞洛·方达托和朱塞佩·巴里埃罗。它指出,大纲是在1963年10月1日印刷的,而剧本没有日期,也不确定它是否确实是最终的草稿。它还解释了剧本是如何在主要人物的身体和行为特征列表之前,尽管如此,这些特征在电影中不会被发展甚至忽略。这一章说明了马里奥·巴瓦是如何简单地遵循电影《血与黑丝带》(6 donne per l’assassino)剧本中的指示,而不给角色添加任何内容的。它强调,在整个《血与黑蕾丝》中贯穿始终的主题——与人体模型的比较,在剧本中是缺席的。