Dança, deficiência, educação acessível e formação de professores: experiências e teorizações em percurso

A. Costas
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Abstract

This text presents the experiences and reflections of a teacher working in disciplines dedicated to inclusive perspectives on theory and practice in undergraduate dance courses. Over the course of two decades, the author's perceptions of changes in the political-educational scenario within educational and artistic contexts are the motivation for constant reflection on concepts, themes for study, methodologies and proposals to be developed with students who are destined to become teachers. These experiences bring to light the ethical, political, aesthetic, poetic, artistic and pedagogical foundations that guide the composition of the curriculum, the potential of practice as a curricular component that orientates the teaching-learning processes, the importance of collaborations between the academic space and other social segments and, the classroom as a space for compositions and encounters in diversity. It is concluded that despite significant advances, studies on dance, disability and accessible education, are still necessary, underlining the relevance of space-times of experiences and critical reflection in dance teacher training courses.
舞蹈、残疾、无障碍教育和教师培训:经验和理论
本文介绍了一位教师在学科领域的经验和反思,致力于对本科舞蹈课程的理论和实践的包容性观点。在二十年的过程中,作者对教育和艺术背景下政治教育情景变化的看法是不断反思概念、研究主题、方法和建议的动机,这些建议将与注定要成为教师的学生一起发展。这些经验揭示了指导课程构成的伦理、政治、美学、诗歌、艺术和教学基础,实践作为课程组成部分的潜力,指导教学过程,学术空间与其他社会部门之间合作的重要性,以及课堂作为创作和多样性相遇的空间。结论是,尽管取得了重大进展,但对舞蹈,残疾和无障碍教育的研究仍然是必要的,强调了经验的时空相关性和舞蹈教师培训课程中的批判性反思。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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