Writing the Cancerous Body and Reconstructing the Ethical Embodied Subject: the Body Narrative in J. M. Coetzee's Age of Iron

Juhong Shi
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Abstract

: The body in pain figures prominently in Coetzee’s novels. It has been traditionally maintained that the body is used as a literary trope in Coetzee’s novels to demonstrate that the substantial or the real represented by the body resists to be contained in the discourse, especially the dominant discourse. Based on a detailed analysis of the cancer narrative of Age of Iron, this paper, however, argues that scars, wounds, pain, and diseases are highlighted in Coetzee’s oeuvre for other reasons. At the surface level, the body in pain is the living witness to the suffering inflicted on the body by the oppressive social system. Ontologically, the damaged bodies are described in Coetzee’s novels to reveal the fact that the subject’s existence depends on its corporal vulnerability to the other. In this way, Coetzee’s body narrative challenges the idea of autonomous subject and probes for an ethical self-other encounter that might be made possible through cultivating an awareness of the inter-corporeal relation.
书写癌变的身体重构伦理的具身主体——库切《铁器时代》中的身体叙事
痛苦的身体在库切的小说中占有突出地位。传统上认为,在库切的小说中,身体被用作一种文学修辞,以表明身体所代表的实体或真实抵制话语,特别是主导话语的包含。然而,基于对《铁器时代》中癌症叙事的详细分析,本文认为,伤疤、伤口、疼痛和疾病在库切的作品中被突出是出于其他原因。从表面上看,痛苦的身体是压迫性社会制度对身体施加的痛苦的活生生的见证。在本体论上,库切的小说中描述了受损的身体,以揭示一个事实,即主体的存在取决于其身体对他人的脆弱性。通过这种方式,库切的身体叙事挑战了自主主体的概念,并探索了一种伦理上的自我与他人相遇,这种相遇可能通过培养对身体间关系的意识而成为可能。
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