Satan’s Satanic Conspiracy against God: An Analytical Study of Basavaraj Naikar’s Play Victory of Christ

R. Mishra
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Abstract

The play Victory of Christ by Basavaraj Naikar is designed to familiarize the audience and the readers with the theological concept of eternal clash between Good and Evil. It is based upon the theme of Milton’s epic Paradise Lost and Paradise Regained. The play ingeniously depicts Satan’s Machiavellian conspiracy against God to take revenge on Him for the punishment of damnation inflicted on him and other fallen angels by Him. Although according to Bharata’s Natyasastra, the playwrights were supposed to select their themes from the epics like the Ramayana and the Mahabharata, no dramatist dared to dramatize the entire epics by compressing them into stage-worthy plays. But Basavaraj Naikar;s creative adventure lies in compressing the entire epic of Milton consisting of its two uneven parts by removing the descriptive and narrative element but concentrating on the dramatizable element and highlighting Milton’s essential religious vision.
撒旦对上帝的邪恶阴谋:奈卡尔戏剧《基督的胜利》分析
巴萨瓦拉杰·奈卡尔的戏剧《基督的胜利》旨在让观众和读者熟悉善与恶之间永恒冲突的神学概念。它基于弥尔顿史诗《失乐园》和《复乐园》的主题。这部戏剧巧妙地描绘了撒旦对上帝的阴谋,为了报复上帝对他和其他堕落天使的诅咒惩罚。尽管根据《婆罗多》的《Natyasastra》,剧作家应该从《罗摩衍那》和《摩诃婆罗多》等史诗中选择主题,但没有剧作家敢于将整个史诗压缩成适合舞台的戏剧。但奈卡尔的创造性冒险在于压缩弥尔顿的整个史诗,它由两个不平衡的部分组成,通过去除描述性和叙事性的元素,而专注于戏剧性的元素,突出弥尔顿的基本宗教视野。
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