On the Dual Narrative Space of the Film "Assassin in Red"

Ting Song
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Abstract

The construction of the story world in movies is mainly achieved through the expressive function of space. In the movie "Assassin in Red", the dual narrative space of surrealism creates a fantasy aesthetic intertwined with reality and the alien world. The two narrative spaces are full of connections and interactions, greatly breaking through the audience's life experience and aesthetic cognition, becoming a quite eye-catching presence during the Spring Festival period. This article will focus on exploring the parallel world of the movie "Assassination of the Novelist", where the vertical Chongqing mountain city structure in the real space serves as a metaphor for power and class, and the closed imperial capital space has a utopian illusion function, making the novel world a reflexive reflection on the real world, and the real world a reference for the novel world. By interpreting the dual space, we will better explore the inspiration this film brings to our society.
论电影《红衣刺客》的双重叙事空间
电影中故事世界的建构主要是通过空间的表达功能来实现的。在电影《红衣刺客》中,超现实主义的双重叙事空间创造了一种与现实和异域交织在一起的幻想美学。这两个叙事空间充满了联系和互动,极大地突破了观众的生活体验和审美认知,成为春节期间相当引人注目的存在。本文将重点探讨电影《刺杀小说家》的平行世界,其中现实空间中垂直的重庆山城结构作为权力和阶级的隐喻,封闭的帝都空间具有乌托邦的幻觉功能,使小说世界成为对现实世界的反身反思,现实世界成为小说世界的参照物。通过对双重空间的解读,我们将更好地探索这部电影给我们社会带来的启示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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