"I Have a Bag of Old Knickers. Do You?"

Alys Mendus
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Abstract

This article presents audio found poetry as an approach which positions participants’ voices in the heart of the inquiry. The methodology was influenced by radio autoethnography and audio papers where theory, voices, and sound are combined to create a new aural experience—an approach that argues that it is essential that the audience listens rather than reads. These two audio found poems share the voices of 14 participants from Australia, United Kingdom, North America, and Mainland Europe, interwoven with the author, talking about their relationship with underwear. Participants recorded their own story. Each voice was edited using Audacity (a software program) and then different voices were joined together. Two poems emerged. Audio 1: Practical Underwear shares stories from day-to-day underwear preferences and stories of those who do not wear underwear. The stories in Audio 2: Dress Code Red are connected to sexuality and political aspects of underwear. Framing the work through the lens of new materialism creates a space of agency for an entanglement between the underwear and the human voices speaking about it, which in turn affects the embodied experience of the listener. What stories could your underwear tell?  
“我有一袋旧内裤。你呢?”
这篇文章将音频诗歌作为一种方法,将参与者的声音置于探究的中心。这种方法受到了广播电台的民族志和音频论文的影响,在这些论文中,理论、声音和声音被结合起来创造了一种新的听觉体验——这种方法认为听众倾听比阅读更重要。这两首诗的音频分享了来自澳大利亚、英国、北美和欧洲大陆的14位参与者的声音,与作者交织在一起,谈论他们与内衣的关系。参与者记录了他们自己的故事。每个声音都使用Audacity(一种软件程序)进行编辑,然后将不同的声音连接在一起。出现了两首诗。音频1:实用内衣分享日常内衣偏好和不穿内衣的人的故事。音频2:红色着装规范中的故事与内衣的性和政治方面有关。通过新唯物主义的镜头来构建作品,为内衣和谈论它的人类声音之间的纠缠创造了一个代理空间,这反过来又影响了听众的具体化体验。你的内裤能讲什么故事?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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